Member Spotlight: Music4Life String Orchestra

Orchestras Canada’s member orchestras range in size from fully professional ensembles, to smaller regional orchestras, to community groups working with enthusiastic amateur musicians. The Music4Life String Orchestra is one such community group.  Based in Ajax, Ontario. Music4Life’s orchestra currently has over 30 string musicians, including four professional section leads who act as mentors and teachers to the rest of the ensemble. The orchestra members range in age from 8 to 78 years old, making for an unusual but beneficial social and musical experience for all involved.

Many community orchestras have professional musicians among their ranks. The extent of their participation varies, from having only a professional concertmaster, to having five professional principal strings, to engaging professional principal musicians in all sections to work alongside community musicians. While Music4Life’s employing a professional conductor and musicians in itself is not unusual, the way in which it is framed is. The orchestra uses the side-by-side professional/amateur experience and in-rehearsal teaching as a particular point of interest to current and prospective community musicians.

The community musicians benefit from having a professional conductor and section leaders present throughout the rehearsal and performance process. Although some of these musicians have private teachers, for many, orchestra rehearsal is the only chance they have for further instruction on their instrument. Seating is rotated at each rehearsal so that each musician gets a chance to sit next to their section leader, and break times are viewed as opportunities for further informal and social exchanges between professional and amateur musicians. The Music4Life arrangement provides an excellent collaborative and supportive environment for all and is a complement to traditional private lessons.

For the professional musicians, this is an opportunity to share their musical knowledge and to reach a wider number of musicians in the community. The group’s professional and advanced musicians are given opportunities to play paid gigs in string quartet/quintet arrangements for public and private events. Proceeds raised from these performances are directed back into the operation of the non-profit orchestra. The side-by-side nature of the Music4Life String Orchestra is one that supports exchange between professional and amateur, and young and old, in a way that benefits the musical experience of all involved.

Music4Life’s next concert is on December 7th at Forest Brook Community Church. Under the musical direction of Kathryn Knowles, a Toronto-based Cellist, Composer and General Manager of the Canadian League of Composers, the event will feature a collaboration with a string quartet of award-winning jazz/classical crossover musicians who will perform seasonal, classical and jazz repertoire with the orchestra. Learn more about the Music4Life String Orchestra on their website.

The Winnipeg Symphony Orchestra goes Digital

Daniel Raiskin and the Winnipeg Symphony Orchestra

Orchestras are always looking for ways to broaden their audience and engage more deeply with them. Many orchestras cite an aging audience and the move away from specialized music education in schools as reasons for a slow but steady decline in audience sizes. In recent years, however, there has also been a trend for orchestras to want to make up for this gap in specialized music education and to appeal to a younger new audience, while fostering a deeper engagement with their current patrons.  This is done in a variety of ways from pre-concert talks to ‘Symphony 101’ type guides. In the Winnipeg Symphony Orchestra’s case? They went digital.

To elaborate, the WSO is making use of a companion app called EnCue at three of their concerts this year, with the intention of integrating this app into more concerts in coming seasons. EnCue is a free-to-download app that sends users live, real-time program notes, images and stories during the performance. The EnCue website lists the app at $350 USD per concert, with potential discounts for multiple concerts. The WSO launched the app at their October 18th (B)eyond Classics series concert, for the performance of Sergei Rachmaninov’s Symphonic Dances. Though app-users weren’t separated from the rest of the audience, the screen is dark lit and the hall lights are brought up to avoid disturbing other patrons. This is the first example of something like this being done in Canada, though several orchestras in Europe and the United States have integrated similar technology into their concert programs. Advertising for the concert mentioned EnCue as a point of interest for prospective patrons.

RBC Resident Conductor Naomi Woo during the concert. Photo: Ruth Bonneville, Winnipeg Free Press

For Jean-François Phaneuf, VP Artistic Operations at the WSO, the benefits of the app are twofold. “We’re excited about using this app to appeal to new audiences and increase the level of engagement with current and prospective patrons. We saw some audience members who were deeply moved by the experience. You get to read about Rachmaninov’s thoughts when writing his work and Music Director Daniel Raiskin’s personal connection to a special passage while hearing it all unfold on stage in front of you.” Over the course of two months, Jean-François Phaneuf, James Manishen, Artistic Associate and RBC Assistant Conductor Naomi Woo worked hard to prepare the necessary materials. They tested their content among musically-educated and non-musically-educated WSO staff, and found that short slides (5 seconds to read) and images helped to keep people listening actively. The learning curve for programming the app was steep, but with satisfying results; basic concepts were explained for those unfamiliar to orchestral music, and more complex ‘tidbits’ of information were provided for experts. During the concert, Naomi Woo was backstage with the score, synchronizing the slides with the music for the approximately 200 patrons that downloaded the app. The response from app users was generally positive. By and large, patrons were excited to try something new. Some concertgoers expressed resistance to changes to the concert experience they know and love, but many felt a greater understanding of, and deeper connection with the music through the new information they were given.

There is no intention from the WSO to use EnCue at all of their concerts. It is planned only three times this season for one piece per program. WSO audiences will next see EnCue at the closing concert of the New Music Festival in January, for Michael Daugherty’s Metropolis Symphony and during Shostakovich’s Symphony No. 6 in March. There are plans to integrate EnCue into the second half of every concert for their (B)eyond Classics concert series in 2020-21. With a tech help desk in the lobby at the October 18th concert, most technical challenges were avoided. More studious patrons also requested receiving the slides in advance to ‘study up’ for the concert. Both the WSO and Orchestras Canada are excited about the opportunities presented by giving a wider audience more ways to open the door and access orchestral music in a way that enhances what is presented on stage.

Learn more about the question of digital technology in the orchestral industry by reading our interview with The Space’s Fiona Morris on building a digital organization.

Music As Community Medicine at the Windsor Symphony Orchestra

Musicians from the Windsor Symphony Orchestra visited community and health venues between October 1st and 10th as part of their Music for Health outreach program. Last year this program included 21 performances to more than 1200 seniors in and around Windsor.

The Music for Health program is an important part of the Windsor Symphony Orchestra’s commitment to the Windsor-Essex community.  This year’s edition included visits to Hospice Windsor, the Windsor Public Library, Downtown Mission, and senior’s retirement and care centres across Windsor-Essex, delivering beautiful music to those who would otherwise be unable to attend a mainstage performance.

The program is based upon the growing body of evidence that shows the positive impact music has on mental, emotional, and even physical health.  Developed by two WSO musicians who have worked very closely with local music therapists in hospital settings, this program features performances by WSO string quartets and quintets at rest homes, retirement homes and social service agencies across Essex County. Clients are encouraged to participate in the performances using small hand percussion (provided by the WSO), selecting works that the ensemble will perform, as well as sharing memories and recollections evoked by the performance. Learn more on the Windsor Symphony Orchestra’s website.