{"id":5969,"date":"2020-04-03T08:55:11","date_gmt":"2020-04-03T12:55:11","guid":{"rendered":"http:\/\/demosite2.asurtec.com\/?p=5969"},"modified":"2020-04-01T16:04:16","modified_gmt":"2020-04-01T20:04:16","slug":"confiance-transparence-verite","status":"publish","type":"post","link":"https:\/\/oc.ca\/fr\/confiance-transparence-verite\/","title":{"rendered":"Confiance, transparence et v\u00e9rit\u00e9"},"content":{"rendered":"
\"\"
Marion Newman<\/em><\/figcaption><\/figure>\n

Le Rapport de la Commission de v\u00e9rit\u00e9 et de r\u00e9conciliation de 2015<\/a> et ses appels \u00e0 l\u2019action ont \u00e9branl\u00e9 de nombreuses hypoth\u00e8ses courantes au sujet des relations entre la communaut\u00e9 autochtone et celle des colonisateurs au Canada. En r\u00e9ponse \u00e0 ce rapport, nombre d\u2019orchestres et d\u2019autres institutions culturelles ont commenc\u00e9 \u00e0 examiner leurs relations avec les communaut\u00e9s et \u00e0 repenser leurs modes de collaboration et de partenariat avec les nations, les peuples et les organisations autochtones.<\/p>\n

Suivant la cr\u00e9ation en 2017 d\u2019un conseil consultatif sur la communaut\u00e9 autochtone au Regina Symphony Orchestra,<\/a> beaucoup de travail a \u00e9t\u00e9 accompli pour d\u00e9velopper cette relation. Nous nous sommes entretenus avec le directeur musical du RSO, Gordon Gerrard, et la mezzo-soprano Marion Newman, qui si\u00e8ge \u00e0 ce conseil, pour en savoir plus au sujet de cette initiative.<\/p>\n

Le d\u00e9but<\/h5>\n
\"\"
Gordon Gerrard<\/em><\/figcaption><\/figure>\n

Le conseil consultatif sur la communaut\u00e9 autochtone du RSO a vu le jour apr\u00e8s la nomination d\u2019un nouveau membre du conseil d\u2019administration, Audra Young, de la Premi\u00e8re Nation de Cowessess. Il a \u00e9t\u00e9 officialis\u00e9 en raison de la consultation qu\u2019a n\u00e9cessit\u00e9e un important projet de rayonnement men\u00e9 avec Buffy Sainte-Marie; un des premiers projets subs\u00e9quents a \u00e9t\u00e9 le nouveau Forward Currents Festival. Le conseil consultatif \u00e9tait initialement compos\u00e9 de 12 membres qui se r\u00e9unissaient chaque mois surtout pour conseiller le nouveau directeur musical, Gordon Gerrard, et la directrice g\u00e9n\u00e9rale de l\u2019\u00e9poque, Tanya Derksen, au sujet d\u2019\u00e9l\u00e9ments de programmation autochtone pour la saison de l\u2019orchestre. \u00ab Il n\u2019y a pas de livre de r\u00e8glements pour ce genre de chose, affirme Gordon, mais nous voulions nous assurer de cr\u00e9er une relation salutaire permanente pour les deux parties, plut\u00f4t qu\u2019un simple \u00e9change ponctuel. \u00bb<\/p>\n

Soucieux d\u2019accorder le temps voulu \u00e0 l\u2019\u00e9volution de ces conversations, le groupe se r\u00e9unit maintenant moins fr\u00e9quemment, mais ses conseils touchent \u00e0 un plus grand nombre d\u2019aspects des activit\u00e9s du RSO. Tout est interd\u00e9pendant. D\u2019autres orchestres suivent ce mod\u00e8le; le Vancouver Symphony Orchestra,<\/a> par exemple, a mis sur pied son propre conseil sur la communaut\u00e9 autochtone.<\/p>\n

Risques et vraie consultation<\/h5>\n

Malgr\u00e9 une certaine appr\u00e9hension quant \u00e0 la voie que l\u2019orchestre et le conseil allaient emprunter, les parties comprenaient l\u2019importance et l\u2019ouverture de cette initiative. Marion Newman attribue essentiellement sa disposition \u00e0 si\u00e9ger au conseil \u00e0 sa relation solide avec Gordon et sa confiance en lui. \u00ab\u00a0On nous demande constamment nos conseils sur divers projets, dit-elle. C\u2019est plus rare que l\u2019organisme \u00e9coute vraiment. Mais parce que j\u2019avais d\u00e9j\u00e0 confiance en Gordon, je savais que l\u2019orchestre \u00e9couterait ce que nous avions \u00e0 dire.\u00a0\u00bb<\/p>\n

Marion et Gordon reconnaissent tous deux qu\u2019il s\u2019agit d\u2019un travail soutenu, lent et de longue haleine. Il exige de la transparence de la part de l\u2019orchestre, qui doit partager des choses qu\u2019il n\u2019a pas l\u2019habitude de partager avec des groupes externes. \u00ab Nous en sommes encore \u00e0 l\u2019aspect v\u00e9rit\u00e9 de la v\u00e9rit\u00e9 et la r\u00e9conciliation \u00bb, affirme Marion. Le travail est p\u00e9nible mais n\u00e9cessaire si l\u2019on veut aboutir \u00e0 une consultation et un partenariat v\u00e9ritables. L\u2019exp\u00e9rience a en d\u00e9finitive \u00e9t\u00e9 positive pour le RSO. Les opinions du conseil consultatif touchent d\u00e9sormais tous les aspects de son activit\u00e9, comme les d\u00e9clarations de reconnaissance du territoire; elles pr\u00e9cisent le sens v\u00e9ritable de la consultation et aident tous les intervenants \u00e0 trouver leurs propres mani\u00e8res de participer \u00e0 cette t\u00e2che.<\/p>\n

Le Festival Forward Currents<\/strong><\/h5>\n

\"\"<\/p>\n

Le premier projet pour lequel on a consult\u00e9 le conseil consultatif a \u00e9t\u00e9 le nouveau Forward Currents Festival. \u00ab\u00a0Chaque ann\u00e9e le festival gravite autour d\u2019un enjeu socialement pertinent pour notre communaut\u00e9 \u00e0 Regina, signale Gordon. Le premier, en 2018, \u00e9tait centr\u00e9 sur la v\u00e9rit\u00e9 et la r\u00e9conciliation; celui de 2019, sur la sensibilisation \u00e0 la sant\u00e9 mentale. \u00bb<\/p>\n

\u00ab\u00a0C\u2019est un moyen tr\u00e8s direct de rejoindre des gens qui croient que l\u2019orchestre n\u2019est pas pour eux \u00bb, ajoute-t-il. En pr\u00e9sentant l\u2019orchestre ailleurs que dans la salle de concert traditionnelle, le festival a rejoint un public enti\u00e8rement nouveau qui n\u2019a peut-\u00eatre jamais song\u00e9 \u00e0 assister \u00e0 un concert de musique orchestrale traditionnel. Marion dit avoir \u00e9t\u00e9 tr\u00e8s touch\u00e9e au premier festival. \u00ab\u00a0C\u2019\u00e9tait incroyable de voir des Autochtones \u00e9mus d\u2019entendre l\u2019orchestre raconter leur histoire et, pour eux, de se rendre compte que des membres non autochtones du public \u00e9taient \u00e9mus par des histoires autochtones. \u00bb<\/p>\n

Prochaines \u00e9tapes<\/h5>\n

Le conseil consultatif commence \u00e0 se tourner vers les saisons futures pour ce qui est du contenu de la programmation et de la mani\u00e8re d\u2019aborder les partenariats. Il se penche aussi sur les moyens de veiller \u00e0 ce que ce travail ait un effet durable sur le RSO. Une formation en comp\u00e9tence culturelle s\u2019impose, et il esp\u00e8re \u00e9tablir bient\u00f4t un moyen qui permettra aux nouveaux musiciens, employ\u00e9s et membres du conseil de l\u2019orchestre de suivre la formation voulue qui leur permettra de travailler en collaboration respectueuse avec lui et les autres communaut\u00e9s avec lesquelles le RSO pourrait s\u2019associer.<\/p>\n

Le travail est ardu et prend du temps. Il doit reposer sur des relations personnelles fortes, la confiance et la transparence.<\/p>\n","protected":false},"excerpt":{"rendered":"

Le Rapport de la Commission de v\u00e9rit\u00e9 et de r\u00e9conciliation de 2015 et ses appels \u00e0 l\u2019action ont \u00e9branl\u00e9 de nombreuses hypoth\u00e8ses courantes au sujet des relations entre la communaut\u00e9 autochtone et celle des colonisateurs au Canada. En r\u00e9ponse \u00e0 ce rapport, nombre d\u2019orchestres et d\u2019autres institutions culturelles ont commenc\u00e9 \u00e0 examiner leurs relations avec […]<\/p>\n","protected":false},"author":10,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[231],"tags":[517,513,516,512,510,518],"class_list":["post-5969","post","type-post","status-publish","format-standard","hentry","category-blogue","tag-conseil-consultatif-autochtone","tag-gordon-gerrard","tag-inclusion-diversite-equite-et-accessibilite","tag-marion-newman","tag-regina-symphony-orchestra","tag-verite-et-reconciliation"],"acf":[],"yoast_head":"\nConfiance, transparence et v\u00e9rit\u00e9 - Orchestras Canada\/Orchestres Canada<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/oc.ca\/en\/trust-transparency-truth\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Confiance, transparence et v\u00e9rit\u00e9 - Orchestras Canada\/Orchestres Canada\" \/>\n<meta property=\"og:description\" content=\"Le Rapport de la Commission de v\u00e9rit\u00e9 et de r\u00e9conciliation de 2015 et ses appels \u00e0 l\u2019action ont \u00e9branl\u00e9 de nombreuses hypoth\u00e8ses courantes au sujet des relations entre la communaut\u00e9 autochtone et celle des colonisateurs au Canada. 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