{"version":"1.0","provider_name":"Orchestras Canada\/Orchestres Canada","provider_url":"https:\/\/oc.ca\/fr\/","author_name":"Boran Zaza","author_url":"https:\/\/oc.ca\/fr\/author\/boranzaza\/","title":"Rapport sur le r\u00e9pertoire des orchestres canadiens 2024 - Orchestras Canada\/Orchestres Canada","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"3wgZFvmDCk\"><a href=\"https:\/\/oc.ca\/fr\/resource\/rapport-sur-le-repertoire-des-orchestres-canadiens-2024\/\">Rapport sur le r\u00e9pertoire des orchestres canadiens 2024<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/oc.ca\/fr\/resource\/rapport-sur-le-repertoire-des-orchestres-canadiens-2024\/embed\/#?secret=3wgZFvmDCk\" width=\"600\" height=\"338\" title=\"&#8220;Rapport sur le r\u00e9pertoire des orchestres canadiens 2024&#8221; &#8212; Orchestras Canada\/Orchestres Canada\" data-secret=\"3wgZFvmDCk\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/oc.ca\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","description":"Le\u00a0Rapport sur le r\u00e9pertoire des orchestres canadiens, qui en est \u00e0 sa deuxi\u00e8me ann\u00e9e d&#8217;existence, explore la fa\u00e7on dont nous programmons les compositrices, les compositeurs non binaires et PANDC en 2024. Le rapport de cette ann\u00e9e plonge dans les donn\u00e9es avec des mises \u00e0 jour sur les tendances observ\u00e9es dans le rapport de l&#8217;ann\u00e9e derni\u00e8re. [&hellip;]"}