{"version":"1.0","provider_name":"Orchestras Canada\/Orchestres Canada","provider_url":"https:\/\/oc.ca\/fr\/","author_name":"Boran Zaza","author_url":"https:\/\/oc.ca\/fr\/author\/boranzaza\/","title":"L\u2019espace interm\u00e9diaire : Cultiver l\u2019\u00e9quite et la diversit\u00e9 dans les orchestres canadiens - Orchestras Canada\/Orchestres Canada","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"uuxvuUIoyk\"><a href=\"https:\/\/oc.ca\/fr\/resource\/cultiver-equite-diversite-orchestres-canadiens\/\">L\u2019espace interm\u00e9diaire : Cultiver l\u2019\u00e9quite et la diversit\u00e9 dans les orchestres canadiens<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/oc.ca\/fr\/resource\/cultiver-equite-diversite-orchestres-canadiens\/embed\/#?secret=uuxvuUIoyk\" width=\"600\" height=\"338\" title=\"&#8220;L\u2019espace interm\u00e9diaire : Cultiver l\u2019\u00e9quite et la diversit\u00e9 dans les orchestres canadiens&#8221; &#8212; Orchestras Canada\/Orchestres Canada\" data-secret=\"uuxvuUIoyk\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/oc.ca\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","description":"Dans le cadre de notre conf\u00e9rence nationale 2018,\u00a0L\u2019ethnomusicologue\u00a0Parmela Attariwala\u00a0et la consultante en \u00e9quit\u00e9 dans le domaine des arts\u00a0Soraya Peerbaye\u00a0ont pr\u00e9sent\u00e9 les constatations de leur recherche, men\u00e9e au nom d\u2019Orchestres Canada avec l\u2019appui du programme Leadership pour le changement du Conseil des arts du Canada, sur l\u2019inclusivit\u00e9, la diversit\u00e9, l\u2019\u00e9quit\u00e9 et l\u2019accessibilit\u00e9 dans le secteur orchestral. [&hellip;]"}