{"version":"1.0","provider_name":"Orchestras Canada\/Orchestres Canada","provider_url":"https:\/\/oc.ca\/fr\/","author_name":"Boran Zaza","author_url":"https:\/\/oc.ca\/fr\/author\/boranzaza\/","title":"La musique comme m\u00e9dicament : Les orchestres et la prescription sociale - Orchestras Canada\/Orchestres Canada","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"f8qSZwW4pk\"><a href=\"https:\/\/oc.ca\/fr\/musique-comme-medicament\/\">La musique comme m\u00e9dicament : Les orchestres et la prescription sociale<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/oc.ca\/fr\/musique-comme-medicament\/embed\/#?secret=f8qSZwW4pk\" width=\"600\" height=\"338\" title=\"&#8220;La musique comme m\u00e9dicament : Les orchestres et la prescription sociale&#8221; &#8212; Orchestras Canada\/Orchestres Canada\" data-secret=\"f8qSZwW4pk\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/oc.ca\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","description":"Blogue d&#8217;invit\u00e9 de Claire Speed et Ian Ritchie. \u00ab La musique et le rythme font leur chemin vers les coins secrets de l\u2019\u00e2me \u00bb Platon En juin 2019, deux conf\u00e9rences nationales ont eu lieu \u00e0 Ottawa durant la m\u00eame p\u00e9riode de deux jours. L\u2019une portait sur les connexions en sant\u00e9 communautaire et l\u2019autre, sur l\u2019orchestre [&hellip;]","thumbnail_url":"https:\/\/oc.ca\/wp-content\/uploads\/2019\/11\/Music-as-Medicine-image-2-Infographic-254x300.png"}