{"version":"1.0","provider_name":"Orchestras Canada\/Orchestres Canada","provider_url":"https:\/\/oc.ca\/fr\/","author_name":"Boran Zaza","author_url":"https:\/\/oc.ca\/fr\/author\/boranzaza\/","title":"Mise \u00e0 jour sur instruments de musique qui renferment des mat\u00e9riaux provenant d\u2019esp\u00e8ces menac\u00e9es - Orchestras Canada\/Orchestres Canada","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"vYkWlVNovT\"><a href=\"https:\/\/oc.ca\/fr\/instruments-musique-materiaux-especes-menacees\/\">Mise \u00e0 jour sur instruments de musique qui renferment des mat\u00e9riaux provenant d\u2019esp\u00e8ces menac\u00e9es<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/oc.ca\/fr\/instruments-musique-materiaux-especes-menacees\/embed\/#?secret=vYkWlVNovT\" width=\"600\" height=\"338\" title=\"&#8220;Mise \u00e0 jour sur instruments de musique qui renferment des mat\u00e9riaux provenant d\u2019esp\u00e8ces menac\u00e9es&#8221; &#8212; Orchestras Canada\/Orchestres Canada\" data-secret=\"vYkWlVNovT\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/oc.ca\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","description":"Apr\u00e8s trois ans de recherche d\u2019un consensus parmi les intervenants du secteur de la musique, les autorit\u00e9s gouvernementales et les experts en conservation, les requ\u00eates en mati\u00e8re de lignes de conduite pr\u00e9sent\u00e9es par un consortium de partenaires du milieu musical international (sous l\u2019instigation de la League of American Orchestras et avec l\u2019aval d\u2019Orchestres Canada, ainsi [&hellip;]"}