<?xml version="1.0"?>
<oembed><version>1.0</version><provider_name>Orchestras Canada/Orchestres Canada</provider_name><provider_url>https://oc.ca/fr/</provider_url><author_name>Boran Zaza</author_name><author_url>https://oc.ca/fr/author/boranzaza/</author_url><title>L'orchestre retentit - Orchestras Canada/Orchestres Canada</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="8HCeKuCQck"&gt;&lt;a href="https://oc.ca/fr/resource/lorchestre-retentit/"&gt;L&#x2019;orchestre retentit&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://oc.ca/fr/resource/lorchestre-retentit/embed/#?secret=8HCeKuCQck" width="600" height="338" title="&#x201C;L&#x2019;orchestre retentit&#x201D; &#x2014; Orchestras Canada/Orchestres Canada" data-secret="8HCeKuCQck" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script type="text/javascript"&gt;
/* &lt;![CDATA[ */
/*! This file is auto-generated */
!function(d,l){"use strict";l.querySelector&amp;&amp;d.addEventListener&amp;&amp;"undefined"!=typeof URL&amp;&amp;(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&amp;&amp;!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i&lt;o.length;i++)o[i].style.display="none";for(i=0;i&lt;a.length;i++)s=a[i],e.source===s.contentWindow&amp;&amp;(s.removeAttribute("style"),"height"===t.message?(1e3&lt;(r=parseInt(t.value,10))?r=1e3:~~r&lt;200&amp;&amp;(r=200),s.height=r):"link"===t.message&amp;&amp;(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&amp;&amp;n.host===r.host&amp;&amp;l.activeElement===s&amp;&amp;(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r&lt;s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document);
/* ]]&gt; */
&lt;/script&gt;
</html><description>Les relations entre les orchestres canadiens, les peuples autochtones et les personnes de couleur T&#xE9;l&#xE9;charger le rapport et les r&#xE9;ponses d&#x2019;OC &#xA0;&#xA0;T&#xE9;l&#xE9;charger les r&#xE9;ponses d&#x2019;OC Orchestres Canada a command&#xE9; ce rapport, produit par Soraya Peerbaye et Parmela Attariwala, gr&#xE2;ce &#xE0; l&#x2019;appui du Conseil des arts du Canada et des donateurs d&#x2019;OC.&#xA0; Il r&#xE9;sulte de plus [&hellip;]</description><thumbnail_url>https://oc.ca/wp-content/uploads/2019/02/CCA-300x55.jpg</thumbnail_url></oembed>
