{"id":8048,"date":"2021-03-17T12:16:09","date_gmt":"2021-03-17T16:16:09","guid":{"rendered":"http:\/\/demosite2.asurtec.com\/?p=8048"},"modified":"2021-03-17T12:16:36","modified_gmt":"2021-03-17T16:16:36","slug":"a-pandemic-snapshot-of-orchestras","status":"publish","type":"post","link":"https:\/\/oc.ca\/en\/a-pandemic-snapshot-of-orchestras\/","title":{"rendered":"A Pandemic Snapshot of Orchestras"},"content":{"rendered":"<p style=\"text-align: left;\"><span style=\"font-weight: 400;\"><img decoding=\"async\" class=\"size-medium wp-image-7297 alignright\" src=\"https:\/\/oc.ca\/wp-content\/uploads\/2020\/11\/Website-share_partage-site-Web-300x158.jpg\" alt=\"Visual for the Survey\" width=\"300\" height=\"158\" srcset=\"https:\/\/oc.ca\/wp-content\/uploads\/2020\/11\/Website-share_partage-site-Web-300x158.jpg 300w, https:\/\/oc.ca\/wp-content\/uploads\/2020\/11\/Website-share_partage-site-Web-800x420.jpg 800w, https:\/\/oc.ca\/wp-content\/uploads\/2020\/11\/Website-share_partage-site-Web-768x403.jpg 768w, https:\/\/oc.ca\/wp-content\/uploads\/2020\/11\/Website-share_partage-site-Web-1536x806.jpg 1536w, https:\/\/oc.ca\/wp-content\/uploads\/2020\/11\/Website-share_partage-site-Web-scaled.jpg 1048w\" sizes=\"(min-width: 960px) 75vw, 100vw\" \/>To mark one year since the pandemic halted the operations of orchestras and arts\u00a0organizations across Canada, we are diving into some new data about the situation of orchestras. The <a href=\"\/en\/national-arts-and-culture-impact-survey\/\" target=\"_blank\" rel=\"noopener\">National Arts and Culture Impact Survey<\/a>, which was spearheaded by Orchestras Canada and the findings of which were published earlier this year, received responses from 728 organizations, including 73 orchestras. Comparing orchestras with arts organizations overall helps shed light on some key trends that can help orchestras orient themselves for the gradual relaunch ahead.\u00a0<\/span><\/p>\n<p><b>1- Orchestras feel left behind by government supports<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Overall, orchestras felt less positive about many of the government supports than arts organizations as a whole. 57% of orchestras said they were not eligible for the <a href=\"https:\/\/www.canada.ca\/en\/revenue-agency\/services\/subsidy\/emergency-wage-subsidy.html\" target=\"_blank\" rel=\"noopener\">Canada Emergency Wage Subsidy (CEWS)<\/a>, compared to 45% of all arts organizations. Overall, orchestras were less likely to give a positive rating to most government support programs:<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\"><a href=\"https:\/\/ceba-cuec.ca\/\" target=\"_blank\" rel=\"noopener\">The Canada Emergency Business Account program<\/a> (CEBA) received a 75% positive rating (vs. 86% from arts organizations as a whole);<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\"><a href=\"https:\/\/www.canada.ca\/en\/department-finance\/news\/2020\/09\/government-announces-extension-of-rent-relief-for-small-businesses.html\" target=\"_blank\" rel=\"noopener\">The Canada Emergency Commercial Rent Assistance program<\/a> (CECRA) received a 43% positive rating from orchestras (vs. 51% from arts organizations as a whole);<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">The federal <a href=\"https:\/\/www.unitedway.ca\/ecsf-faqs\/\" target=\"_blank\" rel=\"noopener\">Emergency Community Support Fund distributed via United Way and Community Foundation of Canada<\/a> received a 36% positive rating from orchestras (vs. 60% from arts organizations as a whole).<\/span><\/li>\n<\/ul>\n<p><b>2- Orchestras are leading the work-from-home trend<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Nearly three-quarters (72%) of orchestra workers have been working from home during the pandemic. Even after an eventual relaunch, 50% of the orchestral workforce is expected to continue working from home. This proportion doubles pre-pandemic levels (26%) and is higher than arts organizations as a whole (42%).<\/span><\/p>\n<p><b>3-Orchestras are feeling positive about digital<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Orchestras tended to have more positive experiences with digital programming than arts organizations as a whole, with 49% saying digital programming exceeded their expectations versus 35% of organizations as a whole. Interestingly, orchestras are more likely to agree that they have the interest, capacity, knowledge, equipment and technology, and internet speed to go digital than arts organizations as a whole.<\/span><\/p>\n<p><b>4-Nearly one in three orchestras is at risk, others are in a holding pattern<\/b><\/p>\n<p><span style=\"font-weight: 400;\">31% of orchestras were either closed or still assessing their ability to stay open. In general, orchestras feel further away from recovery than other organizations. Orchestras were significantly more likely to select \u201cthe focus on post-pandemic activities\/recovery\/assistance\u201d as a barrier to receiving funding (10% of orchestras vs. 2% of organizations as a whole). Paradoxically, orchestras are more likely to feel optimistic about their ability to recover from the pandemic (74%) than arts organizations as a whole (67%).<\/span><\/p>\n<p><b>5- Huge career losses for individuals<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Since the pandemic, 83% of artists and arts workers in the orchestral sector have lost at least some work, with 13% no longer working in the sector at all. On average, respondents have been working in the arts for 23 years. At least 71% of individuals reported a lower expected income than what they were originally projecting. The proportion of individuals who estimate an income of under $20,000 (35%) tripled compared to pre-COVID (13%).\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In addition, individuals project more non-arts income in the mix, with just 68% of these artists and arts workers\u2019 income coming from the arts today vs 80% pre-COVID. About one-third of individuals said it would be unlikely they would be working in the arts and culture in three months\u2019 time (February 2021).<\/span><\/p>\n<p><b>6-Increased stress and anxiety<\/b><\/p>\n<p><span style=\"font-weight: 400;\">About four times as many individuals report very high or high levels of stress and anxiety today as compared to before COVID-19. Even more telling is that no respondents reported very high levels pre-COVID-19, compared to 33% today. Women are more likely than men to report high levels of stress and anxiety today than pre-COVID, while the difference pre-COVID was minimal.<\/span><\/p>\n<p><b>7- Orchestras Canada members more connected<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Organizations affiliated with Orchestras Canada (60%) tend to be more likely than all participating arts organizations (48%) to stay informed by way of national peer meetings. In addition, about two-thirds (64%) of respondents affiliated with Orchestras Canada report feeling informed about sector and government updates, which is higher than 49% reported by all participating individuals. Yay OC community!<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Source: <a href=\"\/en\/national-arts-and-culture-impact-survey\/\" target=\"_blank\" rel=\"noopener\">National Arts and Culture Impact Survey<\/a>, January 2021<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>To mark one year since the pandemic halted the operations of orchestras and arts\u00a0organizations across Canada, we are diving into some new data about the situation of orchestras. The National Arts and Culture Impact Survey, which was spearheaded by Orchestras Canada and the findings of which were published earlier this year, received responses from 728 [&hellip;]<\/p>\n","protected":false},"author":10,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[240,337,241],"tags":[],"class_list":["post-8048","post","type-post","status-publish","format-standard","hentry","category-blog","category-research-resources","category-resources"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>A Pandemic Snapshot of Orchestras - Orchestras Canada\/Orchestres Canada<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/oc.ca\/en\/a-pandemic-snapshot-of-orchestras\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"A Pandemic Snapshot of Orchestras - Orchestras Canada\/Orchestres Canada\" \/>\n<meta property=\"og:description\" content=\"To mark one year since the pandemic halted the operations of orchestras and arts\u00a0organizations across Canada, we are diving into some new data about the situation of orchestras. The National Arts and Culture Impact Survey, which was spearheaded by Orchestras Canada and the findings of which were published earlier this year, received responses from 728 [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/oc.ca\/en\/a-pandemic-snapshot-of-orchestras\/\" \/>\n<meta property=\"og:site_name\" content=\"Orchestras Canada\/Orchestres Canada\" \/>\n<meta property=\"article:published_time\" content=\"2021-03-17T16:16:09+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-03-17T16:16:36+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/oc.ca\/wp-content\/uploads\/2020\/11\/Website-share_partage-site-Web-300x158.jpg\" \/>\n<meta name=\"author\" content=\"Boran Zaza\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Boran Zaza\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/oc.ca\\\/en\\\/a-pandemic-snapshot-of-orchestras\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/oc.ca\\\/en\\\/a-pandemic-snapshot-of-orchestras\\\/\"},\"author\":{\"name\":\"Boran Zaza\",\"@id\":\"https:\\\/\\\/oc.ca\\\/en\\\/#\\\/schema\\\/person\\\/7796a50335e35c17d46b21fce90bda6a\"},\"headline\":\"A Pandemic Snapshot of Orchestras\",\"datePublished\":\"2021-03-17T16:16:09+00:00\",\"dateModified\":\"2021-03-17T16:16:36+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/oc.ca\\\/en\\\/a-pandemic-snapshot-of-orchestras\\\/\"},\"wordCount\":670,\"publisher\":{\"@id\":\"https:\\\/\\\/oc.ca\\\/en\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/oc.ca\\\/en\\\/a-pandemic-snapshot-of-orchestras\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/oc.ca\\\/wp-content\\\/uploads\\\/2020\\\/11\\\/Website-share_partage-site-Web-300x158.jpg\",\"articleSection\":[\"Blog\",\"Research\",\"Resources\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/oc.ca\\\/en\\\/a-pandemic-snapshot-of-orchestras\\\/\",\"url\":\"https:\\\/\\\/oc.ca\\\/en\\\/a-pandemic-snapshot-of-orchestras\\\/\",\"name\":\"A Pandemic Snapshot of Orchestras - 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