{"version":"1.0","provider_name":"Orchestras Canada\/Orchestres Canada","provider_url":"https:\/\/oc.ca\/en\/","author_name":"Boran Zaza","author_url":"https:\/\/oc.ca\/en\/author\/boranzaza\/","title":"Digital Strategic Planning: A Practical Guide for the Cultural Sector - Orchestras Canada\/Orchestres Canada","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"dd5Vwgna6C\"><a href=\"https:\/\/oc.ca\/en\/resource\/digital-strategic-planning\/\">Digital Strategic Planning: A Practical Guide for the Cultural Sector<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/oc.ca\/en\/resource\/digital-strategic-planning\/embed\/#?secret=dd5Vwgna6C\" width=\"600\" height=\"338\" title=\"&#8220;Digital Strategic Planning: A Practical Guide for the Cultural Sector&#8221; &#8212; Orchestras Canada\/Orchestres Canada\" data-secret=\"dd5Vwgna6C\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/oc.ca\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","description":"From OC\u2019s National Conference 2019:\u00a0 Facebook, and Twitter, and Youtube, oh my! The arts and culture sector operates in an increasingly digital landscape. How do orchestras keep up with the pressures and opportunities of going digital, and where do we strike a balance between online offerings and our live programming? Fiona Morris and John White [&hellip;]","thumbnail_url":"https:\/\/oc.ca\/wp-content\/uploads\/2019\/03\/John-White-200x200.png","thumbnail_width":200,"thumbnail_height":200}