{"version":"1.0","provider_name":"Orchestras Canada\/Orchestres Canada","provider_url":"https:\/\/oc.ca\/en\/","author_name":"Boran Zaza","author_url":"https:\/\/oc.ca\/en\/author\/boranzaza\/","title":"Fundraising in Times of Uncertainty: What I Learned at the League\u2019s Conference - Orchestras Canada\/Orchestres Canada","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"vJKH7KiQA3\"><a href=\"https:\/\/oc.ca\/en\/fundraising-in-times-of-uncertainty\/\">Fundraising in Times of Uncertainty: What I Learned at the League\u2019s Conference<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/oc.ca\/en\/fundraising-in-times-of-uncertainty\/embed\/#?secret=vJKH7KiQA3\" width=\"600\" height=\"338\" title=\"&#8220;Fundraising in Times of Uncertainty: What I Learned at the League\u2019s Conference&#8221; &#8212; Orchestras Canada\/Orchestres Canada\" data-secret=\"vJKH7KiQA3\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/oc.ca\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","description":"By\u00a0Boran Zaza, Director of Communications &amp; Development at Orchestras Canada. \u00a0 During my (ongoing!) master&#8217;s in management studies at HEC Montr\u00e9al, I learned about the &#8220;Baumol cost disease.&#8221; &#8211; Sounds scary, I know&#8230;!\u00a0\u00a0 The core idea is that in certain sectors, like live music, productivity gains are inherently limited. You can&#8217;t exactly speed up a [&hellip;]","thumbnail_url":"https:\/\/oc.ca\/wp-content\/uploads\/2022\/12\/2022_11_01_Boran_Headshots_227OC.png","thumbnail_width":600,"thumbnail_height":600}