1.0Orchestras Canada/Orchestres Canadahttps://oc.ca/en/Boran Zazahttps://oc.ca/en/author/boranzaza/rich600338<blockquote class="wp-embedded-content" data-secret="X73t3yYPf8"><a href="https://oc.ca/en/resource/perspectives-on-louis-riel/">Perspectives on Louis Riel</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://oc.ca/en/resource/perspectives-on-louis-riel/embed/#?secret=X73t3yYPf8" width="600" height="338" title="“Perspectives on Louis Riel” — Orchestras Canada/Orchestres Canada" data-secret="X73t3yYPf8" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://oc.ca/wp-includes/js/wp-embed.min.js /* ]]> */ </script> Harry Somers’ opera Louis Riel first premiered at the Canadian Opera Company (COC) in 1967, marking the centennial of Canadian confederation. Fifty years later, in 2017, the COC and National Arts Centre (NAC) revived this Canadian opera for the sesquicentennial “Canada 150.” The opera’s third act originally opens with an aria, “Kuyas,” adapted by Somers […]